Sleater-Kinney – Hurry On Home (Official Lyric Video)

Sleater-Kinney – Hurry On Home | Official Lyric Video

The Center Won’t Hold – Out Now
Directed by Miranda July
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10/9/19 – Spokane, WA – Fox Theatre
10/11/19 – Boise, ID – Knitting Factory Concert House
10/12/19 – Salt Lake City, UT – The Depot
10/13/19 – Denver, CO – Ogden Theatre
10/15/19 – Minneapolis, MN – Palace Theatre
10/16/19 – Milwaukee, WI – Riverside Theater
10/18/19 – Chicago, IL – Riviera Theatre
10/19/19 – Chicago, IL – Riviera Theater
10/20/19 – Louisville, KY – Old Forester’s Paristown Hall
10/21/19 – Nashville, TN – Ryman Auditorium
10/23/19 – Atlanta, GA – Tabernacle
10/25/19 – Washington, DC – The Anthem
10/26/19 – Pittsburgh, PA – Indoor Stage AE
10/27/19 – Philadelphia, PA – The Fillmore
10/29/19 – Boston, MA – House of Blues
10/30/19 – Brooklyn, NY – Kings Theatre
10/31/19 – New York, NY – Hammerstein Ballroom
11/1/19 – Columbus, OH – Newport Music Hall
11/3/19 – Toronto, ON – Rebel Complex
11/4/19 – Detroit, MI – Majestic Theatre
11/5/19 – St. Louis, MO – The Pageant
11/7/19 – Houston, TX – House of Blues
11/8/19 – Dallas, TX – House of Blues
11/9/19 – Austin, TX – ACL Live at the Moody Theater
11/11/19 – Phoenix, AZ – The Van Buren
11/12/19 – San Diego, CA – The Observatory North Park
11/13/19 – Santa Ana, CA – The Observatory OC
11/14/19 – Los Angeles, CA – Hollywood Palladium
11/16/19 – Oakland, CA – Fox Theater
11/17/19 – Oakland, CA – Fox Theater
11/19/19 – Portland, OR – Crystal Ballroom
11/20/19 – Portland, OR – Crystal Ballroom
11/21/19 – Vancouver, BC – Commodore Ballroom
11/23/19 – Seattle, WA – Paramount Theatre
11/24/19 – Seattle, WA – Paramount Theatre
2/18/20 – Berlin, DE – Astra
2/19/20 – Amsterdam, NL – Paradiso
2/21/20 – Brussels, BE – Botanique
2/22/20 – Frankfurt, DE – Batschkapp
2/24/20 – Paris, FR – Le Trianon
2/26/20 – London, UK – O2 Academy Brixton
2/27/20 – Manchester, UK – Manchester Academy
2/28/20 – Glasgow, UK – Barrowland Ballroom
3/1/20 – Dublin, IRE – Vicar Street

Hurry on home to me
I’ve set a place for two.
Hurry on back to me
I’ve made my mood your mood.

You know I’m
Dress down-able
Hair grab-able

But just hurry on home to me,
Cuz it’s just what we do.

Disconnect me from my bones
So I can float, so I can roam
Disconnect me from my skin
Erase the marks begin again

Hurry on home to me
I’ve been in bed since noon.
Hurry on back to me
I’ve cleared out all the rooms.

You know I’m

But just hurry on home to me
I’ve made more space for you.

Disconnect me from my bones
So I can float, so I can roam
Disconnect me from my skin
Erase the mark begin again

You got me used to loving you

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  1. These insidious scumbags do not even deserve their careers. I am an innocent person whose online name, livelihood, and entire life trajectory was destroyed by them in the 2000’s. It was under the auspices of a listserv hosted by their former record label, Kill Rock Stars, called BISAR. They all knew. I was not a random Internet person, I was buying their records and going to their shows, even though I could not even necessarily afford to be going to as many shows as I did, at the time. I’ve done everything in my power to not be a pawn in the pathetic, corrupt, childish games of radicalism, but I can neither live nor work in society in a normal way without coming forward. I was subjected to a level of non-physical violence that is both extraordinary and disgusting. Wars have been started for a lot less, given the impact that such actions can have on people’s lives.

    Up until my near suicide in 2009, I was expecting some level of humanity to emerge, from anywhere at all, since it is the business of the music and entertainment industries to manage their standing as “paid celebrity names”. This humanity never emerged. A formal investigation was not performed, but by any casual estimate there was a least 1 professional, and 2 semi- or non-professional resources, who expended long-term efforts to spam my name out of existence, which lasted for more than 5 years.

    There was at least 1 fake news story, before this was even in the common vernacular, reported by someone who ended up working in the entertainment industry. Additionally, a person in the entertainment industry, Tom Giuliano Scharpling, whom I was friends with and went to high school with, directly benefited from all of this, along with the radical business infrastructure that supports all of them. If my life had not transpired in the exact order that it did, I would not be able to make any of these statements.

    The only point of value, in expending the effort to professionally spam my online name out of existence for more than 5 years, is that I posted a celebrity story online, about a bad experience at one of Janeane Garofalo’s shows, prior to joining BISAR. They all knew.


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